![]() ![]() Kenan Erim to the NYU dig at Aphrodisias for the first and third seasons (1961, 1963), an intense and for a variety of reasons unforgettable experience. A final spurt of Jewish education at the Hebrew University, Jerusalem (1958-1959), with fading impressions left by Gershom Scholem, Zvi Werblowski, Nechama Leibowitz, Rivka Schatz and Adi Tsemach and a lasting friendship with Shaul and Miriam Shaked.īrought by Prof. Courses with visiting professors Lotte Brand Philip and Wolfgang Lotz provided an extra stimulus to enter the field. In 1956 he matriculated on an early admissions program at Washington Square College of Arts and Sciences, New York University, after a summer course in writing given by the wonderful Frances Keene.Īt NYU (1956-1961) he was taught, inspired and enlisted into the ranks of professional art history by H.W. Gary Schwartz was born in Brooklyn, New York in 1940 and educated at Jewish day schools in Brooklyn, Queens and Manhattan. As an editor, translator and publisher researcher at the Netherlands Institute for Art History (RKD) lecturer with occasional university appointments journalist and columnist exhibition curator consultant for collectors and art dealers founder, director and webmaster of CODART, an international council for museum curators of Dutch and Flemish art blogger since 1995. Having chosen not to pursue an academic career, Schwartz worked in other capacities in the field of art history. Art historian, dedicated to the historical study of art.Īuthor of books on Rembrandt, Pieter Saenredam, Johannes Vermeer and Jheronimus Bosch exhibition catalogues on the Dutch world of painting and emotions in Dutch art and more than 500 articles and columns in journals, the press and Internet, mainly on Dutch and Flemish art, connoisseurship and museum matters. ![]()
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